Violin Sheet Music

Urszula Sipińska

Urszula Sipińska
Urszula Sipinska.jpg
Background information
Born September 19, 1947 (age 72)
Poznań, Poland
Origin Poland
Genres pop, country
Occupation(s) singer-songwriter, architect, writer
Years active 1965–1994
Labels Pronit, Wifon, Polskie Nagrania Muza
Urszula Sipińska (born September 19, 1947) is Polish singer-songwriter, architect and writer. Within twenty years of her musical career she earned numerous hits in Poland, including "Zapomniałam", "To był świat w zupełnie starym stylu", "Są takie dni w tygodniu", "Chcę wyjechać na wieś" and "Mam cudownych rodziców". She has won many awards and performed in Poland and abroad. At the turn of the 1980s and 1990s, Sipińska ended her singing career, focusing on architecture and writing.
Contents
1 Biography
2 Notable songs
3 Discography
3.1 Studio albums
3.2 Compilation albums
4 References
Biography
Urszula Sipińska was raised in Wilda, Poznań with elder sister Elżbieta and younger brother Stanisław. She went to music school where she learned to play piano, and later studied Interior Design at University of Fine Arts in Poznań. Although musically active already in her student years, it was not until 1967 that her singing career took off, when she performed "Zapomniałam" at the National Festival of Polish Song in Opole. The song, which she had co-written with her sister, became a major hit. In 1968, Sipińska won the 1st prize at the Sopot International Song Festival with the song "Po ten kwiat czerwony". She would subsequently perform at festivals in Switzerland and Tenerife to considerable success.
Sipińska's debut, self-titled album was released in 1971 by Pronit. Her song "Bright Days Will Come" was met with a positive reception at a festival in Mexico, when in Poland she enjoyed success with the song "Jaka jesteś Mario". Both songs were included on her second LP, Bright Days Will Come, released in 1973, which also included what would become one of her biggest hits, "To był świat w zupełnie starym stylu". The singer continued to perform in Poland and abroad, including East Germany and Japan, before releasing her next album Zabaw się w mój świat in 1975. At the festival in Palma, Sipińska was awarded with the 2nd prize for the song "Wołaniem wołam cię".
In 1980, she released her fourth album, Są takie dni w tygodniu/Kolorowy film, which consisted of two separate suites on both sides of the LP. The song "Są takie dni w tygodniu" became very popular and is now considered one of her biggest hits. This was followed by the country album W podróży, which was released in 1981 and spawned another hit, "Chcę wyjechać na wieś". In 1982, the singer suffered severe injuries in a car accident in Germany, which almost left her disabled. That prompted her to take a longer break from music.
She returned to recording in 1988 with the song "Mam cudownych rodziców", which would become an evergreen and arguably her biggest hit. It was included on her next album, Nie zapomniałam..., which was her last album of original material. According to the decision she had made at the beginning of her career, Urszula Sipińska gave up singing, having turned 40. She would only release a holiday album Białe święta in 1994, which consisted mostly of Polish Christmas carols. Sipińska focused on architecture and have worked on many high-profile projects. She also published feuilletons in magazines and released two books, Hodowcy lalek (2005) and Gdybym była aniołem. Historie prawdziwe, dziwne, śmieszne (2010).
Urszula Sipinska.jpg
Background information
Born September 19, 1947 (age 72)
Poznań, Poland
Origin Poland
Genres pop, country
Occupation(s) singer-songwriter, architect, writer
Years active 1965–1994
Labels Pronit, Wifon, Polskie Nagrania Muza
Urszula Sipińska (born September 19, 1947) is Polish singer-songwriter, architect and writer. Within twenty years of her musical career she earned numerous hits in Poland, including "Zapomniałam", "To był świat w zupełnie starym stylu", "Są takie dni w tygodniu", "Chcę wyjechać na wieś" and "Mam cudownych rodziców". She has won many awards and performed in Poland and abroad. At the turn of the 1980s and 1990s, Sipińska ended her singing career, focusing on architecture and writing.
Contents
1 Biography
2 Notable songs
3 Discography
3.1 Studio albums
3.2 Compilation albums
4 References
Biography
Urszula Sipińska was raised in Wilda, Poznań with elder sister Elżbieta and younger brother Stanisław. She went to music school where she learned to play piano, and later studied Interior Design at University of Fine Arts in Poznań. Although musically active already in her student years, it was not until 1967 that her singing career took off, when she performed "Zapomniałam" at the National Festival of Polish Song in Opole. The song, which she had co-written with her sister, became a major hit. In 1968, Sipińska won the 1st prize at the Sopot International Song Festival with the song "Po ten kwiat czerwony". She would subsequently perform at festivals in Switzerland and Tenerife to considerable success.
Sipińska's debut, self-titled album was released in 1971 by Pronit. Her song "Bright Days Will Come" was met with a positive reception at a festival in Mexico, when in Poland she enjoyed success with the song "Jaka jesteś Mario". Both songs were included on her second LP, Bright Days Will Come, released in 1973, which also included what would become one of her biggest hits, "To był świat w zupełnie starym stylu". The singer continued to perform in Poland and abroad, including East Germany and Japan, before releasing her next album Zabaw się w mój świat in 1975. At the festival in Palma, Sipińska was awarded with the 2nd prize for the song "Wołaniem wołam cię".
In 1980, she released her fourth album, Są takie dni w tygodniu/Kolorowy film, which consisted of two separate suites on both sides of the LP. The song "Są takie dni w tygodniu" became very popular and is now considered one of her biggest hits. This was followed by the country album W podróży, which was released in 1981 and spawned another hit, "Chcę wyjechać na wieś". In 1982, the singer suffered severe injuries in a car accident in Germany, which almost left her disabled. That prompted her to take a longer break from music.
She returned to recording in 1988 with the song "Mam cudownych rodziców", which would become an evergreen and arguably her biggest hit. It was included on her next album, Nie zapomniałam..., which was her last album of original material. According to the decision she had made at the beginning of her career, Urszula Sipińska gave up singing, having turned 40. She would only release a holiday album Białe święta in 1994, which consisted mostly of Polish Christmas carols. Sipińska focused on architecture and have worked on many high-profile projects. She also published feuilletons in magazines and released two books, Hodowcy lalek (2005) and Gdybym była aniołem. Historie prawdziwe, dziwne, śmieszne (2010).
Felix Mendelssohn

Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (February 3, 1809 – November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
Tchaikovsky

Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Beethoven

Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.