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Justin Timberlake
Justin Randall Timberlake (born January 31, 1981) is an American pop singer-songwriter, record producer, dancer and actor. He has won six Grammy Awards as well as an Emmy Award.
Justin Timberlake came to fame as one of the lead singers of pop "boy band" (or "vocal harmony group") 'N Sync, whose launch was financed by Lou Pearlman. In 2002, he released his debut solo album, Justified, which sold more than 7 million copies worldwide. Timberlake's second solo release, FutureSex/LoveSounds, was released in 2006 with the U.S. number-one hit singles "SexyBack", "My Love", and "What Goes Around.../...Comes Around". The album also spawned three additional U.S. top twenty hits ("Summer Love", "LoveStoned", and "Until the End of Time"). As of January 2008, FutureSex/LoveSounds has sold more than 8.6 million copies. With his first two albums, Timberlake has sold more than 18 million records worldwide alone, as well as more than 50 million copies as one of the two lead singers in 'N Sync. His other ventures include record label Tennman Records, fashion label William Rast, and the restaurants Destino and Southern Hospitality.
Justin Timberlake came to fame as one of the lead singers of pop "boy band" (or "vocal harmony group") 'N Sync, whose launch was financed by Lou Pearlman. In 2002, he released his debut solo album, Justified, which sold more than 7 million copies worldwide. Timberlake's second solo release, FutureSex/LoveSounds, was released in 2006 with the U.S. number-one hit singles "SexyBack", "My Love", and "What Goes Around.../...Comes Around". The album also spawned three additional U.S. top twenty hits ("Summer Love", "LoveStoned", and "Until the End of Time"). As of January 2008, FutureSex/LoveSounds has sold more than 8.6 million copies. With his first two albums, Timberlake has sold more than 18 million records worldwide alone, as well as more than 50 million copies as one of the two lead singers in 'N Sync. His other ventures include record label Tennman Records, fashion label William Rast, and the restaurants Destino and Southern Hospitality.
Christopher Norton
Christopher Norton (born 1953) is a New Zealand-born British pianist and composer. Norton obtained a degree in music from the University of Otago in 1974. He taught music in Wellington high schools, worked as a composer-in-Schools for a year, then free-lanced as a composer, arranger and pianist.
He moved to the UK in 1977 on a New Zealand Government Scholarship. His earliest publications were with Universal Edition in London, and included Carol Jazz — improvisations on Christmas tunes — and Sing'n'Swing, for choir, piano and percussion.
In 1983, Norton was signed by Boosey & Hawkes, and the first of the Microjazz series appeared, an educational music series that has expanded over 20 years to include music for all of the major instruments with piano, ensemble books and midi file backings. It is now the biggest selling music series for Boosey & Hawkes, with over a million sales to date. Boosey & Hawkes claims that it is "one of the most widely used educational series ever published."
He moved to the UK in 1977 on a New Zealand Government Scholarship. His earliest publications were with Universal Edition in London, and included Carol Jazz — improvisations on Christmas tunes — and Sing'n'Swing, for choir, piano and percussion.
In 1983, Norton was signed by Boosey & Hawkes, and the first of the Microjazz series appeared, an educational music series that has expanded over 20 years to include music for all of the major instruments with piano, ensemble books and midi file backings. It is now the biggest selling music series for Boosey & Hawkes, with over a million sales to date. Boosey & Hawkes claims that it is "one of the most widely used educational series ever published."
James Horner
James Roy Horner (born August 14, 1953) is an award winning American composer, orchestrator and conductor of orchestral and film music. He is noted for the integration of choral and electronic elements in many of his film scores, and for frequent use of Celtic musical elements.
In a career that spans over three decades, Horner has composed several of Hollywood's most famous film scores. He is probably best known for his critically acclaimed works on the 1997 film Titanic, which remains today the best selling film soundtrack of all time. Other popular works include Braveheart, Apollo 13, The Mask of Zorro, and The Legend of Zorro.
Horner is a two time Academy Award winner, and has received a total of 11 nominations. He has won numerous other awards, including the Golden Globe Award and the Grammy Award.
In a career that spans over three decades, Horner has composed several of Hollywood's most famous film scores. He is probably best known for his critically acclaimed works on the 1997 film Titanic, which remains today the best selling film soundtrack of all time. Other popular works include Braveheart, Apollo 13, The Mask of Zorro, and The Legend of Zorro.
Horner is a two time Academy Award winner, and has received a total of 11 nominations. He has won numerous other awards, including the Golden Globe Award and the Grammy Award.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Brad Mehldau
Brad Mehldau (born August 23, 1970) is an American jazz pianist. Besides leading his own group, the Brad Mehldau Trio, he has performed with multitudes of renowned artists, including Pat Metheny, Wayne Shorter, Joshua Redman, Christian McBride, Michael Brecker, Chris Potter, Kurt Rosenwinkel, Jimmy Cobb, and classical vocalists Renee Fleming and Anne Sofie von Otter.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Brenda Russell
Brenda Russell (née Gordon; born April 8, 1949) is an American singer-songwriter, producer, and keyboardist. Russell has a diverse musical range which encompasses pop, soul, dance, and jazz. She has received five Grammy nominationsBrenda Gordon was born to musician parents, with her mother being a singer/songwriter and her father Gus Gordon (1926-2019), a one-time member of the Ink Spots. She spent her early years in Canada after moving to Hamilton, Ontario, at the age of 12. As a teenager she began performing in local bands and was recruited to sing in a Toronto-based girl group called The Tiaras alongside The Doodlebops cast member Jackie Richardson and Colina Phillips. The group's only single, "Where Does All The Time Go", was released on Barry Records in 1968 but was unsuccessful.
Lars Winnerbäck
Lars Mattias Winnerbäck (born 19 October 1975 in Stockholm) is a Swedish singer and songwriter. He was born in Stockholm but spent his childhood in Vidingsjö, Linköping, where he attended Katedralskolan. He moved back to Stockholm in 1996, the same year he released his first album, Dans med svåra steg. He is now one of Sweden's most popular artists.The influence of songwriters like Carl Michael Bellman, Evert Taube, Bob Dylan, Ulf Lundell and Cornelis Vreeswijk shines through in Winnerbäck's exclusively Swedish lyrics, which deal with shallowness, prejudice in society, as well as romance, relationships and anxiety. Several songs depict the difference between living in small town Linköping and the capital Stockholm.
Neil Diamond
Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter and occasional actor.
Neil Diamond is one of pop music's most enduring and successful singer-songwriters. As a successful pop music performer, Diamond scored a number of hits worldwide in the 1960s, 1970s, and 1980s. Critic William Ruhlmann wrote of Diamond, "As of 2001, he claimed worldwide record sales of 115 million copies, and as of 2002 he was ranked third, behind only Elton John and Barbra Streisand, on the list of the most successful adult contemporary artists in the history of the Billboard chart." As of May 2005 Diamond had sold 120 million records worldwide, including 48 million records in the U.S.
Though his record sales declined somewhat after the 1980s, Diamond continues to tour successfully, and maintains a very loyal following. Diamond's songs have been recorded by a vast array of performers from many different musical genres.
Diamond was inducted into the Songwriters Hall of Fame in 1984, and in 2000 received the Sammy Cahn Lifetime Achievement Award.
Neil Diamond is one of pop music's most enduring and successful singer-songwriters. As a successful pop music performer, Diamond scored a number of hits worldwide in the 1960s, 1970s, and 1980s. Critic William Ruhlmann wrote of Diamond, "As of 2001, he claimed worldwide record sales of 115 million copies, and as of 2002 he was ranked third, behind only Elton John and Barbra Streisand, on the list of the most successful adult contemporary artists in the history of the Billboard chart." As of May 2005 Diamond had sold 120 million records worldwide, including 48 million records in the U.S.
Though his record sales declined somewhat after the 1980s, Diamond continues to tour successfully, and maintains a very loyal following. Diamond's songs have been recorded by a vast array of performers from many different musical genres.
Diamond was inducted into the Songwriters Hall of Fame in 1984, and in 2000 received the Sammy Cahn Lifetime Achievement Award.
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Nick Cave
Nicholas Edward "Nick" Cave (born 22 September 1957) is an Australian musician, songwriter, author, screenwriter, and occasional film actor.
He is best known for his work as a frontman of the critically acclaimed rock band Nick Cave and the Bad Seeds, established in 1984, a group known for its eclectic influences and musical styles. Before that, he had fronted the group The Birthday Party in the early 1980s, a band renowned for its highly dark, challenging lyrics and violent sound influenced by free jazz, blues, and post-punk. In 2006, he formed the garage rock band Grinderman that released its debut the following year. Cave's music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with "religion, death, love, America, and violence."
Upon Cave's induction into the ARIA Hall of Fame, ARIA Awards committee chairman Ed St John said “Nick Cave has enjoyed—and continues to enjoy—one of the most extraordinary careers in the annals of popular music. He is an Australian artist like Sidney Nolan is an Australian artist—beyond comparison, beyond genre, beyond dispute."
He is best known for his work as a frontman of the critically acclaimed rock band Nick Cave and the Bad Seeds, established in 1984, a group known for its eclectic influences and musical styles. Before that, he had fronted the group The Birthday Party in the early 1980s, a band renowned for its highly dark, challenging lyrics and violent sound influenced by free jazz, blues, and post-punk. In 2006, he formed the garage rock band Grinderman that released its debut the following year. Cave's music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with "religion, death, love, America, and violence."
Upon Cave's induction into the ARIA Hall of Fame, ARIA Awards committee chairman Ed St John said “Nick Cave has enjoyed—and continues to enjoy—one of the most extraordinary careers in the annals of popular music. He is an Australian artist like Sidney Nolan is an Australian artist—beyond comparison, beyond genre, beyond dispute."
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Keith Jarrett
Keith Jarrett (born May 8, 1945 in Allentown, Pennsylvania) is an American pianist and composer.
His career started with Art Blakey, Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success in both classical music and jazz, as a group leader and a solo performer. His improvisation technique combines not only jazz, but also other forms of music, especially classical, gospel, blues and ethnic folk music.
In 2003 he received the Polar Music Prize, being the first (and to this day only) recipient not sharing the prize with anyone else.
His career started with Art Blakey, Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success in both classical music and jazz, as a group leader and a solo performer. His improvisation technique combines not only jazz, but also other forms of music, especially classical, gospel, blues and ethnic folk music.
In 2003 he received the Polar Music Prize, being the first (and to this day only) recipient not sharing the prize with anyone else.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre S
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre S